Wednesday, 12 November 2014

Life Drawing 11.11.14

Pen, continuous line

After a few minor hiccups at the start of the session last night ended up being really good. I very much enjoyed my drawing and it was great to have a couple of new faces come and join us. It's very interesting how the dynamic changes when there are more people, there seems to be more energy in the room.

Mixed studies

Pen, continuous line

Pen, continuous line

Our model for the evening gave us some excellent poses and I very much enjoyed making multiple drawings of each pose. I am very lucky with my models, I can just give basic (and sometimes somewhat random) instructions and they are able to come up with really interesting poses. Once again I stuck to just working in pen but I did try and vary the way I worked in other ways.

Pen, continuous line. 'Blind' drawing

Pen, continuous line. 'Blind' drawing

I did quite a bit of 'blind' drawing, where I draw without looking at the page. These drawings are very quick and involve very little thought, the results I find quite interesting as although they are rarely, if ever, accurate they do tend to give the feel of the pose and I like trying to pick out later which bit is which!

Pen, continuous line

Pen, continuous line
Pen, continuous line

I also looked at working very quickly with simple, single lines to describe either the whole pose or part of the pose. As with the blind drawings they lack accuracy but they do give a feel of the pose. I like the challenge of drawing something solid with just simple lines, using those lines to describe areas of shadow as well as shape to give form to the drawing. I did a couple of drawings where I used these simple lines but experimented with exaggerating the poses slightly, for example working in big loopy curves to accentuate the shapes in the pose.

Pen, continuous line

Pen, continuous line

In contrast to these very quick drawings I also tried doing a couple of drawings where I continued to work with simple, continuous line but in a much slower and more deliberate style. In these drawings I tried to capture the pose a bit more accurately whilst retaining the fluidity of my drawing style. I'm really pleased with how these have turned out, I like the sparseness of them.

Pen, continuous line

Pen, continuous line

As regular readers will know I love drawing hands and feet but I really struggle with faces so tonight, as I was feeling quite positive and up for a challenge, I had a go at including the face in a couple of my drawings. The results are a bit mixed but I think there's potential there, so long as my models don't mind looking a bit rugged!

Monday, 10 November 2014

It's nice to be appreciated!

Embroidered tree pipit

A couple of weeks ago I had one of those emails that brightens your day and makes you feel all inspired again. It was from a lady who had been bought one of my embroidered bird bags from Folksy a few years ago, a damp flat had sadly ruined the bag but she liked it so much that she got in contact to ask if I could make another.

The original bag

I made a few of these bags (about 5 or 6 I think) but I didn't continue making them as although people liked them they took a lot of time and effort and I couldn't justify selling them at a price that would make it worthwhile for me. However, flattery will get you a lot of places and I was so pleased that my work had meant enough to someone that they would take the time and effort to contact me and request a replacement that I agreed straight away.

The new bag

If you've been following this blog you'll know that I've been struggling with my creative mojo recently so this little project has been great for me. It's given me a nice confidence boost (someone likes my work, can't be all bad) and given me a reason and focus to not only get into the studio but to do something more productive than sort out my threads whilst I'm in there!

Tree Pipit line drawing, pen on paper

I began as I usually do by drawing, just quick line drawings to capture the flighty nature of birds. I did this sketch of  tree pipit and really liked it and decided it would work well so I used my sketch and the photograph I did the drawing from as a basis for the embroidery. I used three shades of purple and free motion embroidery to create this little guy, I like his inquisitive look and I hope that he'll be as loved as his predecessor (and not succumb to damp!)

Detail

I really enjoy free motion embroidery, it is very like drawing and I like the quality of line. I was so inspired by working on this piece that I went straight on to another stitched bird, but more about that in another post...

Wednesday, 5 November 2014

No Borders: Applied Textiles

Making thread wraps to explore colour combinations
I was very pleased and excited to be back with the No Borders art group again this morning. I have worked with them on a number of projects over the past couple of years and I always enjoy our sessions as the group is so positive and enthusiastic, it's really inspiring. I was also really touched as one of the participants said she was really excited I was working with them again as she loved textiles and the work we'd done before. The last project I worked on them with culminated in a hanging sculpture that was shown in Prism Arts Studio as part of C-Art 2014.

Hanging sculpture from last sessions

Detail

For this block of sessions we are looking at applied textiles, the title is deliberately a bit vague so that the group can pretty much do what they want! I took in lots of samples and we discussed our previous work together and what the group would like to do. They decided on individual projects and I was pleased that they all had ideas about what they wanted to do, I'm looking forward to seeing how these ideas develop as the project progresses. We also discussed colour and how it can represent different moods, feelings and ideas.

Looking at samples

Using pastels to explore colour

Pastel colour page

After our discussion (and a nice cup of tea) we started to look at the colours we would like to work with. I began by asking the participants to experiment with putting together colours that they liked in different proportions and to think about what mood this created. We used pastels so that the colours could be blended and different shades and tones created. As always everyone had a very different approach and it was interesting to see how people's personalities and preferences came out in this activity.


Thread wraps exploring colour combinations

Thread wraps exploring colour combinations

Thread wraps exploring colour combinations

We then moved on to making thread wraps using our pastel colour sheets as a starting point. I really like this activity as it is a different way of playing around with colour and it is a good way to explore how colours work together. It's also quite therapeutic and relaxing which allows us to have discussions about our ideas at the same time. Once again the individual characters shone through in the finished thread wraps, in not just the colour choices but the methods too. I'm really looking forward to next week and seeing how the work takes shape.

Pastel colour pages

Pastel colour pages

Pastel colour pages

Pastel colour pages

Friday, 31 October 2014

Happy Halloween!

This years pumpkin, bought to you by wine and knives!


Happy Halloween everyone! 

Harry, admiring my handiwork

Eye detail

Happy Halloween cat

Wednesday, 29 October 2014

The Million Dollar Question: How do you overcome creative block?

Daily Drawing, gel pen on black paper. 15.10.14

Creativity is a funny thing, I always wish for more time in my studio and then when I get it I find myself faced with something I can most accurately describe as artists block. There are of course a variety of contributing factors; sometimes I just have so many ideas I don't know what to do first (so I end up not doing anything) sometimes I am afflicted by a crippling lack of confidence in my ability (so I end up not doing anything) sometimes I am worried about things outside of my 'art life' and this affects my ability to focus on my work (so I end up not doing anything) and sometimes I just don't feel like it. This is just a brief summary, like all things it is much more complex and usually it is a combination of factors rather than just one thing stopping me from making work.

Daily Drawing, pen on paper. 17.10.14

So, how to overcome this? This is the million dollar question (which always makes me wonder, why in the UK do we say the million dollar question not the million pound question?) that if only I could find the answer to all my problems would be solved. What I am learning, slowly and sometimes quite painfully, is that there is no answer. I just have to accept it, stop worrying and try and go with the flow a bit more. Sometimes I won't feel like making work, I just want to crochet some flowers. Is that, I now ask myself, such a bad thing? Probably not and by crocheting those flowers I will probably become more relaxed and able to generate ideas which will lead to the block dissolving away and allowing me to get back on my creative path (apologies for the somewhat random mixing of metaphors.)

Daily Drawing, pen on paper. 19.10.14

I do, naturally, have some strategies for overcoming artists block. One of these is creative procrastination (a phrase I have stolen from someone but I can't remember who) which involves useful but non essential activities such as tidying my ribbon box and arranging my coloured pencils in colour order until I feel inspired to make again. Another strategy, and probably the most successful, I have touched on above; making what I feel like making. The act of knitting and crochet in particular I find very therapeutic. I am able to relax and enter an almost zen like state where my mind is occupied just enough to keep out the thoughts that block my creativity but not so busy that it can't wander and follow trains of thought that sometimes lead to quite interesting places and ideas. I have also tried doing set exercises, such as spending a certain amount of time drawing something, however I find that my contrary nature tends to rebel against this kind of enforced creativity, worsening the problem.

Daily Drawing, pen on paper. 25.10.14

As I've been writing this I've been questioning why I've decided to share this with you all, in a sense I am exposing myself and telling you all that, shock horror, I'm not always creative which is a hard thing for a creative person to admit. I think the reason I chose to write this post at this time is that I'm learning to be more accepting (of myself, my circumstances, my feelings) and by writing down that it doesn't always go as planned, that I can't just turn on the creative tap at will I can let myself know that that's okay or maybe I just fancied a bit of a rant or I wanted to get my thoughts straight? Whatever the reason(s) I'd be really interested to know how you overcome creative block and to hear your ideas and suggestions.




Wednesday, 15 October 2014

Life Drawing October 2014

Green pen, continuous line

Last night was the second life drawing session with my new set up. It felt nice and relaxed as I had a better idea how it would all work having got the first session out the way and it was great to see a couple of faces back again from the old group. The new space works well for us and is warm and inviting.

Pen, continuous line

Pen, continuous line

Pen, continuous line

I really enjoyed my drawing last night, I felt quite relaxed and didn't worry about how the drawings would turn out. Unusually for me I worked quite small, almost fitting whole figures on a page! Usually I like to work very large and end up taping multiple sheets of paper together but last night I was quite content to work on a smaller scale.

Pen, continuous line on tea stained paper

Pen, continuous line on tea stained paper

Pen, continuous line on coloured paper

As usual I worked almost exclusively in pen but I tried to use some different coloured pens and different coloured papers to see how that affected the drawings. I like the neutral coloured paper but, particularly with the more simple line drawings, I do like the contrast of black ink on white paper.

Red pen, continuous line

Green pen, continuous line

Pen, continuous line

We had some really interesting poses from our model for this session, lots of twists and unusual angles which are a challenge to draw but make even quite simple poses exciting. Particularly in the longer poses I found I was struggling to get the proportions and details right so I stopped trying to and did some fast continuous line sketches. I tried to not think too much about what I was drawing but just to let my eyes tell my hands where to go without interference from my concious mind. I like these drawings because although the proportion still isn't quite right the drawings give a real feel of the pose, more so I find than a more considered drawing because it is a very direct response whereas the more time you spend on a drawing the more time there is for other things to creep in.

Pen, continuous line